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The right camera for the right job
If you ask me it takes something away from the production if you are more into the gear than the story of the film you’re making. I’ve always thought if you’re more into the gear than telling the story you end up with a pretty looking film but not much more. I personally love a black and white grainy Jean Luc Godard film if it says something about the streets of Paris, or a ‘Taxi Driver’ style film if it shows the grittiness of New York!
I have found that in my 15 year career, there has always been one stand out camera that you can use for all situations or jobs. This used to be the Sony DSR-570, but that was before HD. There never seems to have been a decent HD camera. It’s been a few years since there has been ‘one camera does all’ but now there is a new contender!
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